DSU Blue Hawk Theatre Guild
Teddy and Alice
The Theodore Roosevelt Center is proud to partner with the Dickinson State University Blue Hawk Theatre Guild and the Badlands Opera Project in their upcoming production of the family-friendly, patriotic Broadway musical Teddy and Alice.
Click here to register for free tickets!
On July 2-6, 2026, in conjunction with the opening of the Theodore Roosevelt Presidential Library and America250 celebrations, the Dickinson State University Blue Hawk Theatre Guild is mounting a production of the 1987 Broadway musical Teddy and Alice! Come celebrate July 4 and American independence with a rollicking story of some of America’s most remarkable characters!

Teddy & Alice is an original, family-friendly American musical that brings to life the relationship between President Theodore Roosevelt and his daughter, Alice Roosevelt—one of the most unconventional women of her era. Blending history, humor, and heart, the show explores leadership, legacy, family, and independence through an engaging and accessible theatrical experience.
The Theodore Roosevelt Center will provide academic support for the production, including digital library resources, historical instruction to the cast, crew, and production team, and public lectures.
Tickets are free and available to all!
Click here to register!
Thank you to our generous sponsors!








Information
Showtimes
All performances will take place in Dorothy Stickney Auditorium, May Hall, Dickinson State University, Dickinson, North Dakota, 58601.
Thursday, July 2, 7:00 pm
Friday, July 3, 7:00 pm
Saturday, July 4, 2:00 pm
Sunday, July 5, 2:00 pm
Monday, July 6, 7:00 pm

Plot Synopsis
Matching the upbeat music of JOHN PHILIP SOUSA to a tale about rambunctious Teddy Roosevelt and his oldest daughter proves a happy – all right, a bully – combination in “TEDDY AND ALICE,” a high-stepping, flag-waving and heart-warming family drama.
The story concerns President THEODORE ROOSEVELT and his trials and tribulations with trying to run the country, be a good father to his children and especially trying to deal with his stubborn and independent daughter, ALICE ROOSEVELT. She smokes, dresses provocatively and speaks up about foreign policy issues – all shocking things for ladies to do in that time period. Things get especially heated when Alice falls in love with the much older Congressman NICK LONGWORTH.
Brimming with rousing marches and patter songs, à la The Music Man, and featuring a cast of outrageous, larger-than-life characters, “TEDDY AND ALICE” is an hysterical and historical slice of Americana. This rousing musical features four wonderful principal roles, five ROOSEVELT CHILDREN, amusing character parts (including FRANKLIN and ELEANOR ROOSEVELT) and a large, flexible chorus.
To learn more and to hear selections from songs, visit https://www.mtishows.com/teddy-alicee
Learn About Teddy and Alice

Theodore Roosevelt was the 26th President of the United States (1901-1909), a prolific author, a big game hunter, an explorer, a rancher, a scientist, and so much more. From his “bully pulpit,” he launched the United States into the twentieth century. Learn more about Theodore (who hated to be called Teddy!) in our online encyclopedia: https://www.theodorerooseveltcenter.org/biography/
Alice Roosevelt was the eldest child of Theodore. An autodidact and a life-long voracious reader, Alice was intelligent, stubborn, and strong-willed. Alice was a celebrity First Daughter known for antics like smoking on the White House roof, carrying a snake in her purse, and betting at horse races. Her parents swallowed their aggravation because the public clearly adored her.
Learn more about Alice in our online encyclopedia: https://www.theodorerooseveltcenter.org/encyclopedia/family-and-friends/alice-roosevelt-longworth/
Learn about the Authors
Jerome Alden was born on March 5th 1921 in Portland, Oregon and died in 1997.
He graduated from the University of Oregon. During World War II he served in Special Services as a writer/broadcaster. After the war he moved to New York City where he appeared as an actor in varying productions during the early years of Off-Broadway; Home of the Brave at the Henry Street Settlement being one. Mr. Alden wrote Bully, which first played on Broadway in 1977, as well as the book for the musical Teddy and Alice which opened on Broadway in 1987.
He also conceived and wrote the highly successful, A Program For Two Players, An Evening of Shakespeare which won the Outer Critics Circle Award.
He adapted John Dos Passos’ USA trilogy for TV into a CBS miniseries. He wrote many TV plays including A Gathering of One (The Ordeal of Jonathan Edwards,) and Rachel and Andrew. Some of the documentaries he wrote are: The Truman Years and The American Adventure series. He was also Executive story editor/writer for the EMMY Award winning CBS Bicentennial Minutes.
Mr. Alden was married to the ballerina, Barbara Gay who danced in the original Broadway productions of Annie Get Your Gun and On The Town.
John Philip Sousa (November 6, 1854 – March 6, 1932), is probably the most famous marching band conductor (although his band rarely marched) and composer in history. He wrote well over 100 marches; some of his most popular are:
” Semper Fidelis (1888)
” The Washington Post March (1889)
” The Thunderer (1889)
” The Liberty Bell (1893)
” Manhattan Beach March (1893)
” King Cotton (1895)
” The Stars and Stripes Forever (1896)
” El Capitan (1896)
” Hands Across the Sea (1899)
” Fairest of the Fair (1908)
” U.S. Field Artillery (1917)
” The Gallant Seventh (1922)
” The Black Horse Troop (1924)
” Daughters of Texas (1929)
The marching brass bass, or sousaphone, is named after him.
Sousa’s musical education began when he was seven years old. At the age of 13, he was enrolled as an apprentice with the United States Marine Corps Band. He left it after several years to join a theatrical band. He soon began conducting, and returned to the Marine Band as its head in 1880. During this time Sousa also led the marching band of Gonzaga College High School.
Sousa organized his own band in 1892. It toured widely, and in 1900 represented the United States at the Paris Exposition before touring Europe. Sousa repeatedly refused to conduct on the radio, fearing the lack of personal contact with the audience; he was persuaded to do so in 1929, and was very successful.
In addition to hundreds of marches, Sousa wrote ten operas and a number of musical suites.
Sousa exhibited many talents aside from music. He authored three novels and a full length autobiography as well as a great number of articles and letters-to-the-editor on a variety of subjects. As a trapshooter, he ranks as one of the all-time greats and his skill as a horseman met championship criteria.
He was in the vanguard of the reactionary camp in the music piracy wars of his era (cf. Recording Industry Association of America), in which authors of sheet music railed against the upstart recording industry. In a submission to a congressional hearing in 1906, he argued that:
These talking machines are going to ruin the artistic development of music in this country. When I was a boy … in front of every house in the summer evenings, you would find young people together singing the songs of the day or old songs. Today you hear these infernal machines going night and day. We will not have a vocal cord left. The vocal cord will be eliminated by a process of evolution, as was the tail of man when he came from the ape.
The Operettas
” The Queen of Hearts, 1885, also known as Royalty and Roguery.
” The Smugglers, 1882.
” Desiree, 1883.
” El Capitan, 1895.
” The Bride Elect, 1897, libretto by Sousa.
” The Charlatan, 1898, also known as The Mystical Miss, lyrics by Sousa.
” Chris and the Wonderful Lamp, 1899.
” The Free Lance, 1905.
” The American Maid, 1909, also known as The Glass Blowers.
Sousa also composed the music for six operettas that were either unfinished or not produced: THE DEVIL’S DEPUTY, FLORINE, THE IRISH DRAGOON, KATHERINE, THE VICTORY, and THE WOLF.
Sousa the Freemason
One year after the 1882 transit of Venus, Sousa was commissioned to compose a processional for the unveiling of a bronze statue of American physicist Prof. Joseph Henry, who had died in 1878. Henry, who had developed the first electric motor, was also the first secretary of the Smithsonian Institution in Washington, D.C.
A Freemason, Sousa was fascinated by what the group considered mystical qualities in otherwise natural phenomena. According to Sten Odenwald of the NASA IMAGE Science Center[1] (http://image.gsfc.nasa.gov/poetry/venus/TransitFAQs.html), this played a significant role in the selection of the time and date of the performance, April 19, 1883, at 4:00 P.M. Dr. Odenwald points out that Venus and Mars, invisible to the participants, were setting in the west. At the same time, the Moon, Uranus and Virgo were rising in the east, Saturn had crossed the meridian, and Jupiter was directly overhead. According to Masonic lore, Venus was associated with the element copper, and Joseph Henry had used large quantities of copper to build his electric motors.
The “Transit of Venus March” never caught on, and went unplayed for more than 100 years, after Sousa’s copies of the music were destroyed in a flood. As reported in The Washington Post, Library of Congress employee Loras Schissel recently found copies of the old sheet music for VENUS _x001c_ languishing in the library’s files._x001d_ The piece was resurrected recently, in time for the 2004 Transit.
From Wikipedia, the free Encyclopedia.
Meet the Cast and Crew
Theodore Roosevelt
Dr. William J. Hansard
Alice Roosevelt
Julia Nurenberg
Julia Nurenberg is honored to be able to perform as Alice Roosevelt this summer with Badlands Opera! Julia is from Southern Michigan where she grew up falling in love with theater and singing. Julia has performed in many different productions, some of her favorite shows include: District Merchants (Jessica): The Acting Ensemble, Charlie and the Chocolate Factory (Veruca Salt): South Bend Civic Theatre, The Curious Incident of the Dog in the Night-Time (Punk Girl): Slippery Rock University, and West Side Story (Anybodys):Morris Performing Arts Center. Julia is dedicated to continuing growing as an artist and she is happy she found a home at Slippery Rock University where she is an Acting BFA major! She is grateful for all the love and support, she could not have come as far as she has without it.
Cast Members
Edith Roosevelt – Dana Morrison
Nick Longworth – John Yale
Eleanor Roosevelt – Charlotte Rae
Henry Cabot Lodge – Cole Beck
Elihu Root – Jesse Kilwein
William H. Taft – Layne Brandvik
J. P. Morgan/Admiral – Max Wild
Edward Henry Harriman/Ensemble – Todd L
Wheeler/Ensemble – Cheryl Hewson
Ida Tarbell – Kayla Kilwein
Samuel Gompers/Ensemble – Alex Redwood
Isabella “Belle” Hagner – Esther Dustin
James Amos – TBD
Ghost of Alice/Ensemble – Natalie Gessele
Elliot Roosevelt/Franklin Roosevelt/Ensemble – Gabe Ricks
Officer O’Malley/Sergei Witte/Ensemble – Dylan Seidel
Ted Roosevelt – Ben Ricks
Kermit Roosevelt – Tobias Ricks
Ethel Roosevelt – Isla Kilwein
Archie Roosevelt – Charlie Brandvik
Quentin Roosevelt – Cooper Brandvik
Ensemble
Kaitlynn Beenblossom
Betsy Brandvik
Isla Kilwein
Stacey Lakey
Robyn Lakey
Jill Rae
Medora Rambousek
Sarah Ricks
Production Crew
Director – Anthony Rohr
Musical Director – Karen Wagner
Technical Director – Layne Brandvik
Stage Manager – Amelia Dustin
Choreographer – Kayla Kilwein
Historical Consultant – William J. Hansard
Producer – Sarah Crossingham
Book by
JEROME ALDEN“TEDDY AND ALICE”
Music by
JOHN PHILIP SOUSALyrics by
HAL HACKADYArtistic Consultant
Alan Jay Lerner
Presented through Special Arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI.
www.mtishows.com
Adaptations and Original Music by
RICHARD KAPP


