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An old man labeled “Mormon Hierarchy”, wearing a coat of stitched together fragments of cloth labeled “Polygamy, Mormon Rebellion, Resistance to Federal Authority, Blood Atonement, Murder of Apostates, [and] Mountain Meadow Massacre,” stands outside the door to the “U.S. Senate” and places a puppet labeled “R. Smoot” inside the Senate chamber.
Library of Congress Prints and Photographs
1904-04-27
A puppeteer labeled “Russia” with marionettes labeled “Bulgaria” and “Macedonia” engage in a sword fight. The Bulgarian puppet is about to cut the head off the Macedonian puppet who has dropped his sword. Hanging on the side of the theater, to the left, are three puppets labeled “Roumelia, Servia, [and] Roumania.” Caption: A continuous performance since Peter, the Great.
Library of Congress Prints and Photographs
1903-10-07
A railroad lobbyist puts on a puppet show. The puppets, labeled “Nicaragua Route” and “Panama Route,” stand in opposition to each other. Caption: Railroad Lobbyist — The railroads won’t have to compete with a canal so long as I can keep these figures fighting.
Library of Congress Prints and Photographs
1902-04-23
Grover Cleveland, Arthur P. Gorman, and August Belmont control a wooden Alton B. Parker with strings. David B. Hill holds Parker in his hand.
Library of Congress Manuscript Division
1904-09-03
At the “Republican National Convention,” President Roosevelt presses a button that controls Frank Swett Black who holds a “nominating speech that approves T. R.” New York Senator Thomas Collier Platt and New York Governor Benjamin B. Odell sit beside each other on the stage while Speaker of the House Joseph Gurney Cannon receives shocks. Massachusetts Senator Henry Cabot Lodge holds up “the platform.” Indiana Senator Charles W. Fairbanks is on a wire and wears a sign that reads, “great vice-presidential slide for life.” All the delegates are puppets who vote for “Roosevelt.”
Library of Congress Manuscript Division
1904-06-21
A group of women in a gallery “Reserved for American Wives of English Lords” hold strings attached to crowns on the heads of their husbands in the House of Lords. Caption: A sure guarantee of peace between America and England.
Library of Congress Prints and Photographs
1895-12-18
A “Silver Mine Owner” depicted as a “silver-tongued ventriloquist” sits on a box labeled “16 to 1” on a stage, with William Jennings Bryan as a dummy sitting on his lap, holding papers labeled “Free Silver Harangues.” In two boxes at the mine owner’s feet are dummy Arthur “Sewall” on the right and dummies William A. “Peffer,” Benjamin R. “Tillman,” John Peter “Altgeld,” and George Fred “Williams” on the left. Caption: If the show succeeds, he’ll get all the profits.
Library of Congress Prints and Photographs
1896-08-12
Giulio Gatti-Casazza and Oscar Hammerstein throw puppets labeled “Tenor, Second Tenor, Contralto, Baritone, Basso, Mezzo Soprano, [and] High Soprano” at each other.
Library of Congress Prints and Photographs
1908-11-11
The child king Alfonso XIII, as a wooden puppet, is slumped over on the “Throne of Spain” with a clergyman standing next to him. On the walls to the right are portrait paintings of “Charles V, Ferdinand and Isabella, [and] Philip II.” On the left, an arm labeled “Home Riots” reaches through the curtains with a torch to ignite a bomb labeled “Anarchy” next to the throne.
Library of Congress Prints and Photographs
1898-06-08
William Jennings Bryan is pictured as a puppet being manipulated by a well-dressed man sitting on a large money bag labeled “Silver Mining Syndicate” and listing names and dollar amounts: “Hearst $75,000,000, Fair 40,000,000, Mackay 40,000,000, Wm. Stewart 40,000,000, W. A. Clark 30,000,000, Moffatt 30,000,000 [and] J. P. Jones 25,000,000.” Byran is holding cymbals labeled “Free Silver and Prosperity” and “Promises of Good Wages.” His audience is a laborer with his lunch pail labeled “Labor” and in his back pocket a “Bank Book.” Caption: They can never catch American labor with that combination.
Library of Congress Prints and Photographs
1896-10-07
A crazed man representing the Czar of “Russia” sits on a throne, manipulating marionettes that represent “France” (Felix Faure), “Austria” (Franz Joseph I), “Italy” (Umberto I), “Germany” (William II), and “England” (John Bull) playing musical instruments.
Library of Congress Prints and Photographs
1897-05-05
Print shows Robert Green Ingersoll speaking from a stage in an auditorium filled with an audience whose heads are half-dollar coins. Dangling from a cord at the edge of the stage is T. De Witt Talmage as a marionette or wooden toy, with one hand pinned to the Bible.
Library of Congress Prints and Photographs
1882-05-03
William Jennings Bryan, as a puppet, uses a large stick to beat another puppet labeled “Public Duties” in a marquee labeled “Chautauqua Circuit.”
Library of Congress Prints and Photographs
1913-08-06