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Operetta

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The diversions of high society

The diversions of high society

During an intermission or after a “Comic Opera at Mrs. Van Varick-Shadd’s,” a large crowd of men and women wearing formal evening clothes look with chagrin at three women wearing short red dresses, who have secured the attentions of several young men. A painted scene in the background shows nude women cavorting at the seaside.

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Collection

Library of Congress Prints and Photographs

Creation Date

1905-04-26

Scenes and behind scenes at the Metropolitan opera

Scenes and behind scenes at the Metropolitan opera

Giulio Gatti-Casazza, with the trained animals for various operas, and a woman sit in the “celebrated ‘Horseshoe'” section of the opera house. The surrounding vignettes show Alfred Hertz as a young man and as the current conductor, Enrico Caruso, “Italy’s Standing Army,” which is a group of men dressed for the theater, possibly critics, actors with props, and a prima donna too large to “fit the chairs of the period.”

Collection

Library of Congress Prints and Photographs

Creation Date

1915-01-09

Creator(s)

Mayer, Henry, 1868-1954

“The Mikado” – second and last act

“The Mikado” – second and last act

Theodore Roosevelt appears as “Mikado Roosevelt” with a large cast of characters standing behind him: “Pish Tush Root,” “Landis,” “Pooh Bah Taft,” “Burroughs,” “Heney,” “Cortelyou,” “Steffens,” “La Follette,” “Folk,” “Garfield,” “Riis,” “Loeb,” and “Koko Bonaparte,” who is holding a large sword labeled “Department of Justice.” John D. Rockefeller labeled “Flim-Flam Business,” and Edward Henry Harriman labeled “Flim Flam Finance,” are kneeling on the stage awaiting execution. Caption: “My object all sublime / I shall achieve in time — / To let the punishment fit the crime — / The punishment fit the crime. — / And make each prisoner pent / Unwillingly represent / A source of infinite merriment, / Of infinite merriment.”

comments and context

Collection

Library of Congress Prints and Photographs

Creation Date

1908-01-08