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Arms and the men

Arms and the men

President Roosevelt stands on one side of a scaffold, holding a large sculpted arm with a huge stick labeled “The Big Stick” for placement on a large sculpture of a female figure labeled “Inter-State Commerce Laws.” On the other side of the scaffold is a man labeled “The Rail Road” directing Nelson W. Aldrich, Stephen B. Elkins, and Joseph Benson Foraker to use instead a much smaller arm labeled “Delay” and “Fines.” Caption: A difference of opinion as to what will fit the lady.

comments and context

Comments and Context

J. S. Pughe’s cartoon is one of the cleverer uses of the Big Stick as an icon during Theodore Roosevelt’s presidency. The depiction of four men against his lone self is also a fair representation of the opposition Roosevelt faced.

The unwelcome light

The unwelcome light

Puck directs a large floodlight to illuminate a cave. Charles H. Dietrich, Joseph R. Burton, and J. Edward Addicks shy away from the light. Pennsylvania governor Samuel W. Pennypacker, as a court jester, holds up a large sheet of paper labeled “Press Gag Law.” A man running to the right holds a paper labeled “R.R. Rebates.” Another man, possibly John D. Rockefeller, stands next to containers labeled “Paper Trust, Oil Trust, [and] Gas Trust,” and a diminutive figure, possibly New York State Senator Thomas F. Grady, stands behind Pennypacker, holding up a paper labeled “Anti-Cartoon Bill.” An octopus labeled “Mormonism” is visible at the entrance to the cave on the left.

comments and context

Comments and Context

The main point of Udo J. Keppler’s cartoon — the origin of Puck‘s pushback — is the infamous “Anti-Cartoon” legislation proposed by Pennsylvania Governor Samuel Pennypacker, passed as the Salus-Grady Act in 1903, and kept on the books until the end of Pennypacker’s term, but never enforced. The law was supported by Pennypacker and followed the unsuccessful passage of an earlier bill sponsored by Republican Representative Frederick Taylor Pusey. That bill, on which the subsequent law was modeled, would have outlawed “any cartoon or caricature or picture portraying, describing or representing any person, either by distortion, innuendo or otherwise, in the form or likeness of beast, bird, fish, insect, or other unhuman [sic] animal, thereby tending to expose such person to public hatred, contempt, or ridicule.”

Concerning a growing menace

Concerning a growing menace

President Roosevelt stands at a flag-draped podium on the right, pointing to two men on the left, each with a foot on a female figure labeled “Law” lying on the ground. One man has papers labeled “Dishonest Corporations” and the other has papers labeled “Union Tyranny” and notes extending from his pockets labeled “Bribe” and “Graft.” On the front of the podium at which Roosevelt stands is a quotation: “If alive to their true interests, rich and poor alike will set their faces like flint against the spirit which seeks personal advantage by overriding the laws, without regard to whether this spirit shows itself in the form of bodily violence by one set of men or in the form of vulpine cunning by another set of men.” – President Roosevelt’s Speech, Sept. 7.

comments and context

Comments and Context

Theodore Roosevelt, before during, and after his presidency was consistent on issues of the day — remarkably so, in that without citation of time and place, historians can be challenged to attribute many of his pronouncements as being from his twenties or then end of his life.

At the stake

At the stake

Three men labeled “Riot, Lynching, [and] Violence” burn a female figure labeled “Law and Order” at the stake. She is bound to the stake with ribbons labeled “Prejudice” and “Defiance.”

comments and context

Comments and Context

 This powerful double-page spread by Joseph Keppler, Junior, in Puck is more than an argument against labor violence (was was indeed a public concern in the years following the turn of the century) or racial animosity (lynchings actually spiked in these years as well) but the general breakdown of law and order.

It can’t be shut off

It can’t be shut off

Samuel W. Pennypacker, governor of Pennsylvania, wearing a fools’ cap, tries to block the light of “Publicity” with a sheet of paper labeled “Pennsylvania Gag Law.” The light from a lantern held by a hand labeled “Press” is exposing Matthew S. Quay, a senator from Pennsylvania.

comments and context

Comments and Context

One of the great episodes in the history of political cartooning in America occurred in 1903, and is largely forgotten today… but might repeat itself if circumstances align. Governor Samuel Pennypacker of Pennsylvania had been annoyed by gibes from two former New York City cartoonists in Philadelphia, Charles Nelan and Walt McDougall, then of the Philadelphia North American newspaper. The paper was Republican — later, in 1912, one of the most prominent papers to support Theodore Roosevelt in Republican primaries and thereafter — but recognized the state’s Republican political boss, Senator Matthew Stanley Quay, and his cousin the governor, as corrupt. It was their cartoons of Pennypacker as a parrot, repeating the words of Quay, that were especially nettling.

The law can not be “removed” by Christian Science

The law can not be “removed” by Christian Science

An over-sized female figure labeled “Law” points with her left hand to a sign that states “Contagious diseases must be reported to the Board of Health” and holds in her right hand a little old man labeled “Chr. S. Healer” who is holding a book labeled “Science and Health.”

comments and context

Comments and Context

As American society and government (and cartoonists) addressed the new movements of Mormonism and Christian Science, it usually was not tradition religion or public morals that excited reactions. Practical or legal questions, and public health, were the objects of concern and editorial attack. This Keppler cartoon addresses the matter of sickness and epidemics, as the figure representing Law confronts Ira O. Knapp, one of the early New England followers of Mary Baker Eddy, founder of the Christian Science movement.

The fool pied piper

The fool pied piper

Uncle Sam, as the “Pied Piper,” plays a pipe labeled “Lax Immigration Laws” and leads a horde of rats labeled “Jail Bird, Murderer, Thief, Criminal, Crook, Kidnapper, Incendiary, Assassin, Convict, Bandit, Fire Brand, White Slaver, [and] Degenerate.” Some of the rats carry signs that read “Black Hand” showing a black hand print. In the background, rulers from “France, Russia, Germany, Italy, Hungary/Austria, Turkey, [and] Greece,” along with citizens of these countries, are cheering the fleeing rats.

comments and context

Comments and Context

The decade between 1900 and 1910 saw the largest numbers of immigrants to the United States, surpassing the times of Irish Potato Famine, the German Liberal Revolution of 1848, America’s Industrial Revolution, and the Land Rushes of free farmland in the American heartland.

Address of President Roosevelt at Kansas City, Missouri, May 1, 1903

Address of President Roosevelt at Kansas City, Missouri, May 1, 1903

President Roosevelt addresses the citizens of Kansas City, thanking them for their greeting. He discusses his command during the Spanish-American war and compares it to the Civil War. Roosevelt discusses the lessons learned from soldiers on character, brotherhood, and citizenship. He also discusses current problems facing the country after industrial development, including labor relations, class relations, and law.

Collection

Library of Congress Manuscript Division

Creation Date

1903-05-01