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Fourth of July celebrations

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“Independence Day” of the future

“Independence Day” of the future

A future Fourth of July celebration is depicted where women have gained suffrage and equality. Young and old women ring a bell labeled “Equal Rights.” A notice on the bell tower states “Strike Out the Word Male.” Women emerge from underground and participate in a procession, marching under banners that state “United Order of Matinee Women” and “Higher Culture Division.” The procession passes two statues, one of a woman holding a rolling pin labeled “Erected to the Memory of the First Woman Who Wore Breeches” and the second of an eagle wearing a bonnet, labeled “The American Bird is a Hen Eagle and Lays Eggs. [?] Blake Sculp.”

Collection

Library of Congress Prints and Photographs

Creation Date

1894-07-04

The first fourth

The first fourth

Citizens loudly celebrate the fourth of July with rifles and firecrackers. Standing at center is an elderly woman wearing a banner that states, “Society for the Suppression of Unnecessary Noises.”

comments and context

Comments and Context

Puck‘s busy and humorous Fourth of July cover — properly in red, white, and blue — was a Bruegel-like birds-eye view of a town square in 1776. Every area of the drawing tells it own story, and the humor is in the excellent cartoon of L. M. Glackens making occasional references to contemporary life in America — announcement of a baseball game; a Prohibition-style crank as a busybody; a newsboy hawking an “Extra” edition of the daily paper.

The boss of the bosses

The boss of the bosses

A fireworks display forms a chariot or wagon labeled “McKinleyism” driven by “boss” Mark A. “Hanna.” Thomas Collier “Platt,” Matthew S. “Quay,” and Joseph H. “Manley” appear in the display as chained, submissive prisoners following Hanna. Caption: A Republican Fourth of July display of fireworks, now arousing the wonder and admiration of the entire people.

Collection

Library of Congress Prints and Photographs

Creation Date

1896-07-08

Celebrating July 4th, 1898 – “the triumph of the American battle-ship”

Celebrating July 4th, 1898 – “the triumph of the American battle-ship”

A gleeful Uncle Sam sits with John Bull, who is a sailor representing England, and six figures representing “Spain,” “Italy” (Umberto I), “Austria” (Franz Joseph I), “France,” Germany (William II), and “Russia” (Nicholas II), watching a fireworks display that shows the outline of a huge American battleship that illuminates the ruins of the “Spanish Fleet.” The clouds of smoke show portraits of “Schley, Sampson, Hobson, [and] Dewey.”

Collection

Library of Congress Prints and Photographs

Creation Date

1898-07-06

Puck’s pyrotechnics – Fourth-of-July fireworks free to all

Puck’s pyrotechnics – Fourth-of-July fireworks free to all

Print shows a fireworks display with Puck bowing on a stage in front of a “Fan Light” featuring the likenesses of William H. Vanderbilt, Russell Sage, Cyrus W. Field, and Jay Gould; on stage with Puck is a hand holding a smoldering torch which may represent Bartholdi’s hand and torch from the Statue of Liberty. On the left is a pagoda labeled “Puck Office” and on the right is a building labeled “Tammany Hall.” Among the fireworks are many faces of politicians and other prominent figures of the day, some labeled by type of firework, such as “Chicago Shower” – Arthur, Grant, Conkling, Logan and Cameron; “Tumbler” – Tilden; “Twister” – Schurz; “The Falling Tammany Star” – Kelly; “Bomb” – Davis; “Junk Whizzler” – Robeson; “Polar Rocket” – Bennett; “Buster” – Butler; and “Star Route Staggerer” – Dorsey. Others shown are James G. Blaine, Henry Ward Beecher, Elizabeth Tilton(?), Thomas De Witt Talmage, and Theodore Tilton.

Collection

Library of Congress Prints and Photographs

Creation Date

1882-07-05

Letter from Theodore Roosevelt to Martha Bulloch Roosevelt

Letter from Theodore Roosevelt to Martha Bulloch Roosevelt

Theodore Roosevelt reviews the Fourth of July festivities that took place with the Lee family at Chestnut Hill, Massachusetts. There were fireworks, tennis, and Roosevelt “played bear” with the children. He will be leaving for home on Saturday and intends to study law in “John’s office” a few days a week.

Collection

Harvard College Library

Creation Date

1882-07-05

Independence day

Independence day

A large hand labeled “Special Privilege” has its thumb poised to squash a typical Independence Day celebration. A large crowd is listening to a man making a speech from a platform where others are sitting and a man is waving an American flag. Fireworks are going off in the background.

comments and context

Comments and Context

Puck Magazine might almost have patented the design of cartoons as this, “Independence Day,” by Udo J. Keppler. He, and especially the weekly’s newest cartoonist, Art Young, drew several striking center-spread cartoons composed of two parts in one image frame, capturing a blatant contrast or contradiction in society.

Father will shoot them off

Father will shoot them off

William Jennings Bryan shoots off fireworks labeled “Nomination, Platform, Enthusiasm, Permanent Organization, Keynote, Issues, Nominating Speech, Second Speech, Vice Presidency, Resolutions, [and] Temporary Organization” while indicating that George Gray and John Albert Johnson should stand back for their safety, reminding them of “what happened to Alton” Parker in 1904, who is standing in the background with his arm in a sling. Caption: “Stand back, boys! You’re too young and inexperienced! Remember what happened to Alton!”

comments and context

Comments and Context

At first glance the Puck cover drawing for the Fourth of July appears to be standard patriotic theme, and because it coincides with 1908’s Democratic presidential nominating convention, the prominent role of William Jennings Bryan seems logical.

The annual pleasantry

The annual pleasantry

At a Fourth of July celebration, a man stands on a large podium reading the “Declaration of Independence” before a cheering crowd. He is sandwiched between two large figures wearing robes and crowns labeled “Predatory Wealth” and “Predatory Labor.”

comments and context

Comments and Context

A recurring theme in Puck Magazine through the years was the Scylla and Charybdis represented by Big Business and Big Labor — not merely their bigness (the view of some latter-day Jeffersonians) but the real and potential abuses flowing therefrom. Joseph Keppler, Senior, founder of Puck, and his son Udo J. Keppler, the artist of this cartoon, perhaps more than other cartoonists, maintained this critique through the years.

Setting ’em off

Setting ’em off

Exploding firecrackers labeled “Land Grafter, Congressman, Financier, Senator, Deliberate & Unqualified, Rail Road Pres., Undesirable Citizen, [and] Nature Faker” have been ignited using a “Teddy Punk” stick. Caption: Every day is Fourth of July with Theodore.

comments and context

Comments and Context

Many cartoonists through the years of Theodore Roosevelt’s life and presidency found inspiration in his many interests, multitude of activities, and ranger of accomplishments. As a true polymath, Roosevelt was a magnet for cartoonists who were amazed, as were average citizens, by the many aspects of their president.

The rich child’s fourth

The rich child’s fourth

A young boy jumps with joy as a battleship is blown up. His father is reminding him that the explosive display is his gift for being a good boy. “Fourth of July number” is written in the lower-left corner. Caption: Multi-Millionaire — There, Reginald! Didn’t papa say if you were a good boy he’d blow up an old battleship for you? That battleship cost papa twenty thousand dollars!

Collection

Library of Congress Prints and Photographs

Creation Date

1911-06-28