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Mothers

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A thrilling act

A thrilling act

Williams Jennings Bryan, dressed as a mother, protects infant Oklahoma Governor Haskell, whose bottle is an oil can labeled “Standard Oil,” from the menaces of President Roosevelt. Bryan says, “You shall not touch the che-e-ild!” Roosevelt replies, “Have a care! You will rue this day!”

Collection

Library of Congress Prints and Photographs

Creation Date

1908-1911

Why girls leave home

Why girls leave home

A mother sits on a porch with a searchlight trained on her daughter and her boyfriend as they fly overhead in an airplane. Caption: The Maid-in-the-Air (to her Steady) — I think it’s awfully mean of Mamma to keep that searchlight on us wherever we fly!

Collection

Library of Congress Prints and Photographs

Creation Date

1910-11-16

Old-school etiquette

Old-school etiquette

A woman appeals to a man holding a cane labeled “Allopath” and topped with a skull who has turned his back on a sick child lying in a bed. On the far side of the bed is another man with papers labeled “Homoeopath” and “Apothecary” extending from a pocket. Caption: Dr. All. O’Path – “Very sorry, madam, if your child must die; but you ought not to have called in a Homœopath first.”

Collection

Library of Congress Prints and Photographs

Creation Date

1883-06-13

Special privilege

Special privilege

An old woman labeled “Monopoly Tariff” sits next to an old shoe labeled “Special Privilege,” around which a number of children are playing. The children all represent a “Trust” and are labeled “Tool, Steel, Copper, Lumber, Sugar, Rubber, Beef, Coal, Tobacco, Clothing, Watch, Leather, Paper, [and] Linen.” Caption: There was an old woman who lived in a shoe, / Whose progeny here are presented by Pughe. / She petted and pampered and coddled the brats, / And guarded her brood from the bad Democrats.

Comments and Context

Puck‘s turn on the traditional nursery rhyme could have been published a quarter-century earlier — and was, in variant forms — so standard were the realities and criticisms, with allowance for satirical hyperbole, through the years. In 1908 the trusts surely were in retreat, or at least defensive mode, thanks to awakened public attitudes, revelations by muckraking journalists, and the effect of governmental lawsuits, regulations, and legislation.

If this cartoon contains differences from traditional attacks, many of the “progeny” are overfed brats, hardly innocent children; and readers are given a clue about the pronunciation of the cartooning Welshman’s name. Most of the children are generic, but J. S. Pughe did not resist making the “clothing trust” kid look like a Jewish tailor.